The Help by Kathryn Stockett. Go read it. It’s as good as everyone you know has said (wailed, screamed) it is. As if it wasn’t enough to write a compelling novel about a very real time in American history, Stockett has the nerve to be an excellent writer who created vivid, interesting characters and a delicately suspenseful plot. Skip whatever else you’ve got on the TBR pile. Go read this now.
What Alice Forgot by Liane Moriarty is the kind of book I dream about finding on the shelves. (You know the ones. They suck you in and keep you there, blissfully, for days.) I don’t know why I bother mentioning that Moriarty is a good writer, given that I don’t bother reading anything by anyone if it’s not well-written, but she is a good writer. This novel’s creative plot, coupled with realistic and complicated family dynamics probably anyone can relate to, makes this story about one woman’s unexpected and accidental amnesia a perfect one to disappear inside.
Russian Winter by Daphne Kolatay. My grandmother told me to read it, and really, she’s never wrong. Kolatay has crafted a fascinating and atmospheric historical novel, and I’m not even into ballerinas. That she manages to jump through both time and perspectives with no loss of momentum or character development is a testament not only to her writing ability but to the pull of a great story. I’m also pretty sure that right about now you’re willing to read anything that involves winter.
Swamplandia! by Karen Russell is the best book I’ve read so far this year, and it will take a lot to change that opinion by December 31. The only thing more breathtaking than the haunting, imaginative, and sad tale of the Bigtree siblings is Russell’s tremendous talent. This was some of the most incredibly creative writing I’ve read in years, with line-by-line inventiveness that positively ripped my head off (read the first few pages to see exactly what I mean). My grief at the end of this expertly woven, heartbreaking novel was palpable.
* * * * * * * *
So hey, you may have noticed this post is different from the ones that came before. Congratulations. You’ve figured out that things around here are going to change. Turns out I am better with short and sweet, especially if you’re into short more than sweet. (This surprises no one, I’m sure.) Anyway, thanks for your patience.